There is a common thread linking the stops along this route: your sense of wonder as you discover the many symbolic details that adorn the buildings, some of which are still waiting to be uncovered.
Travelling through the ages, we first discover that Pordenone could be described as the ‘city of astrology’: the signs of the zodiac can in fact be found in no fewer than three places, depicted in frescoes, paintings or sculptures. Strange figures and images, clinging to the walls of the houses in the ‘painted town’, seem almost to prop up the buildings themselves and will guide you to the ancient Mulino del Gobbo Pagotto.
Just a few more steps and you’ll come to a memorial dedicated to the fallen from all the institutions it represents, which holds, at its base, a small fragment of the Twin Towers in New York.
Restored in 2002, the palace features a façade decorated with lime stucco bas-reliefs displaying geometric motifs, vegetal friezes, and figures inspired by grotesque decorations. These are symbolic and somewhat mysterious images: dog, rooster, flint striker, deer, rabbit, dragon, piglet, sheep, winged putto, dog and fish, putto on dolphin.
At the center, you can read the owner's initials: "BM". This is the notary Benvenuto Marone, grandfather of Andrea Marone, the poet mentioned by Ludovico Ariosto (1474-1533) in "Orlando Furioso".
Where is it?: Corso Vittorio Emanuele II, 31, 33170 Pordenone PN
On Palazzo Marone-Da Ros, the painted sequence of zodiac signs is striking: it presents the full series of thirteen signs, matching the constellations of the modern zodiac.
Among these, Ophiuchus – or the Serpent-Bearer – stands out as the only one not considered a true astrological sign. Ophiuchus is situated between Scorpio and Sagittarius, south of the constellation Hercules. It is traditionally depicted as a giant holding a snake and represents the god of medicine and legendary physician Aesculapius (or Asclepius). You can spot him painted on our building: he’s the last figure on the right and depicts a man subduing a snake.
Another intriguing detail is the unusual sequence of the signs: Aries, Taurus, Cancer, Libra…
Where is it?: Corso Vittorio Emanuele II, 31, 33170 Pordenone PN
On the side wall of the so-called Casa dei Capitani, a painted figure of a warrior appears, serving as a support for the chimney flue — a telamon.
His identity remains unknown, but his blond beard, light eyes and the style of his headgear suggest the depiction of an Austrian soldier.
This is reinforced by the rich decoration of the façade, which features three large coats of arms: to the right, that of the San Daniele and Varmo family; to the left, the arms of the Austrian officer Baumkirchen; and at the centre, the colours of the House of Austria with the imperial eagle.
Where is it?: Corso Vittorio Emanuele II, 45c, 33170 Pordenone PN
The original core of the Town Hall dates back to the late 14th century. A few years after Venice established a permanent presence there, in the mid-16th century, the clock tower was added. Although the internal mechanism has been replaced, the dial is still the original one, with a few minor alterations made in the 18th century.
The clock is not only a device for telling time, but a true compendium of astronomy: the dial shows the hours, the months and, above all, the signs of the zodiac; in the panel above, an aperture indicates the phases of the moon, gradually shifting from a starry sky to the smiling face of the moon.
Where is it?: Corso Vittorio Emanuele II, 64, 33170 Pordenone PN
You are now standing in front of the Co-Cathedral of San Marco, better known as Pordenone Cathedral. Set into its façade – which was left unfinished following its 19th-century restoration – you can admire a Renaissance gem: the stone portal carved in 1511 by Giovanni Antonio Pilacorte (c. 1455–1531). The name of the sculptor, who was originally from Ticino but worked in Western Friuli, can be seen on the left-hand plinth of his own work.
Carved into the door jambs – amidst foliage and decorative motifs – are the twelve signs of the zodiac: six on the right-hand jamb (Aries, Gemini, Leo, Libra, Sagittarius, Aquarius) and six on the left-hand jamb (Taurus, Cancer, Virgo, Scorpio, Capricorn, Pisces). On the faces of the bases are four reliefs depicting the Creation.
Where is it?: Corso Vittorio Emanuele II, 55, 33170 Pordenone PN
Along the boundary wall surrounding the rear of the Co-Cathedral of St Mark, there are several tombstones, which once lay on the church floor. Among these, one stone goes almost unnoticed, bearing blurred and worn inscriptions resulting from an attempt to reuse the slab. From the last owner, Mattio della Puppa, in 1726, we can trace back to previous owners thanks to close observation of minute clues, corroborated by in-depth studies. The first family to own the tombstone was that of the Pordenone scholar Pietro Capretto, alias Pietro Edo (1426–1504), who is regarded as one of the precursors of Italian melodrama.
Where is it?: Corso Vittorio Emanuele II, 55, 33170 Pordenone PN
In Via del Campanile, in one of the city’s oldest corners, painted on the wall of a building, you encounter a man bent under the weight of a chimney.
The lintel bears the inscription “post tenebras spero lucem”, a passage taken from the Lamentations of Job (17:12): “noctem verterunt in diem, et rursum post tenebras spero lucem” (“They have turned night into day, and again, after darkness, I hope for light.”). It is a recurring phrase that conveys the idea of rebirth and hope.
On the same wall, over plaster painted to resemble brickwork, the coats of arms of the city and of the House of Austria are depicted.
Where is it?: Vicolo del Campanile, 33170 Pordenone PN
A series of curious small columns are all that remain of the ancient Mulin del Gobbo Pagotto, from which the street takes its name. These are the original supports of the sluice gates used to create the drop in water level (now gone) that powered the mill’s wheels.
This mill was one of the last in Pordenone to close (1968). In the past, production activities that relied on water power were widespread along the entire course of the canal.
Where is it?: Vicolo del Molino, 33170, Pordenone
The monument is a bronze sculpture by the Perugian sculptor Fiorenzo Bacci (1940–2026), created in 2002. It is dedicated “to those who defend the safety and freedom of citizens, the law and our institutions, and who have been wounded, maimed or killed in the line of duty whilst serving their country”.
The work symbolises the human moral dilemma between good and evil: on the one hand, newspapers reporting attacks and deaths at the hands of criminals and terrorists; on the other, the successful operations carried out by the state’s security forces. At its base lies a fragment of steel from the Twin Towers in New York, donated by the New York Fire Department to the city of Pordenone.
Where is it?: Piazzetta Giustiniano, 33170 Pordenone PN
Last updated: 05/07/2026 21:34
A route through signs, traces and symbols that reveal how Pordenone has changed over time. From tombstones and plaques to lost bridges, from medieval coats of arms to contemporary works, the city unfolds as a system of clues to connect and interpret.
Number of stages: 11 Estimated distance: ≈ 1,3 Km Estimated duration: ≈ 1 h
An itinerary dedicated to the Renaissance and the genius of Giovanni Antonio de’ Sacchis, known as “Il Pordenone”.
Number of stages: 7 Estimated distance: ≈ 2,1 Km Estimated duration: 1 h
Hunt for real and fantastical creatures through the streets of the centre: from fountain mosaics to contemporary murals, experience the adventure that turns Pordenone into a jungle of emotions.
Number of stages: 11 Estimated distance: ≈ 1,3 Km Estimated duration: ≈ 1 h
A journey through frescoes, murals and traces that tell stories of life, faith and destiny. From medieval devotions to contemporary street art, the city reveals itself through the figures of yesterday and today who have lived and shaped it.
Number of stages: 5 Estimated distance: ≈ 1,3 Km Estimated duration: ≈ 1 h
An itinerary through history and contemporary art, where every corner sets encounters, dialogues and events in stone: public spaces as pages of collective emotions.
Number of stages: 8 Estimated distance: ≈ 1,3 Km Estimated duration: ≈ 1 h
From traces of ancient canals to fragments of medieval walls, and on to modern sculptures, the route celebrates the art, environment and history of a city born on the banks of a navigable waterway.
Number of stages: 8 Estimated distance: ≈ 1,3 Km Estimated duration: ≈ 1 h
